CMYK
- CMYK
- referred to as subjective colour and process colours
- To get a pure black you have to add as CMY doesn't give a pure black
- Transparant colours
- Each colour is applied in a different place and overlaid to mix in a certain way to create an image
ILLUSTRATOR
CMYK - print
RGB - web/screen eg. animation
- Medium/neutral grey is the best colour to work with when doing colour specific work it doesn't influence them
Different ways to get colour in illustrator
The colour picker:
Swatch Palette:
Swatch Palette
- Swatch palette is the best way to get consistent colour in your designing
- Can create your own swatch palette to work with by deleting all previous colours and creating own
- The drop down menu allows you to select what colours you have not used and empty the palette
- The cross fire symbol is for printer marks
- Used in commercial work and you will always find it as well as the registration colour for CMYK, this exists on every printer.
- When you show options you get a percentage scale for each of CMYK
Create a new swatch:
- Can change name to a colour but good practice to leave to colour percentages
Appears in swatch palette
- Changing the way we view our swatch palette
- You can see the different colour codes
- Registration appears as black instead of cross fire so be careful not to use it instead of the colour
Adding the colours used in your work:
Changing a swatch:
- Double click on the swatch to alter the percentages this then changes the colour of the work which was that colour swatch
- Global box is checked - this is what the corner mark on the swatch palette means
- If you click on the swatch then it highlights the artwork with the colour applied to it
- Non global swatches you can change without a link to the artwork changing
- Global swatches are very good to use especially in complex artwork as you don't have to select parts to change, you can just alter the swatch until your happy
Global tints:
- You can get different tints of global swatches and save them as a new swatch
Global swatch
Non global swatch
- Once you've created the new tint of a global swatch is appears in the palette and shows the percentage next to it
Using tints:
- When you edit the main swatch all the tints change with it
SPOT COLOURS
- Process colours are a mixture of CMYK but spot colours is just a colour
- Its not made up of CMYK, its a ready made colour
- Printer would have a ready made colour mixed up
- Its cheaper - only one printing plate instead of 4
- We would use this because it gives you consistency in colour no matter where its printed
- Branding in particular is when spot colours are appropriate as you need to keep the same colours across all products eg. Sainsburys orange
- Pantone is the reference book for colours in this country/europe
- Speak to the printer prior to designing and ask what spot colour system to use and stock available and you want to use
- You can also print colours that aren't possible print in CMYK eg. bright colours/metallic colours
Spot swatch palettes:
Pantone + Solid Uncoated
Different view:
- If you have chosen or your client has specified then you can search for your specific reference
- Double click the colour and it will be automatically added to your swatch library
- There is a spot in the corner of the colour and in the grey box, this means its a spot colour
- Don't change the name otherwise the printer won't no what the colour is
- You can create tints of the spot colour
Saving swatch library:
Two options:
- Al - save as adobe illustrator swatch
- ASE - adobe swatch exchange
Al - automatically saves in swatch library
- You can find it then in swatch library on ilustrator - user defined
- Can save in folder with particularly work - open other library and find file
- You click on the colours and it will move to your document swatch palette - don't work from saved palette
- It won't add your tints
ASE - don't save in swatch library so you can access it from another software
- Won't save gradients/patterns/tints
- Can open in other Adobe software like indesign/photoshop
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