Tuesday, 16 October 2012

Design Production: Colour for Print

Printed products for studio workshop










Using a linen tester we looked up close at different prints. I was amazed at how it was made up of lots of dots of CMYK as from afar it appears as one colour or a clear image.


CMYK


Silver foiling


CMYK


B&W Monotone with a gloss


This was blue stock and you could see the texture of the stock


Card packaging print - you could see how it was slightly smudged when up close


CMYK


CMYK


Spot colour


This appeared as spot colour as there was no DPI visible

We had looked previously at different print processes. These were small scale examples of what the plates would be like.


Copper plate


Pad printing


Aluminium plates - this shows the different plates for CMYK printing of an image.


Reflecting on this workshop I was shocked and amazed at how many of the prints were formed out different coloured dots but appeared to the eye as a whole, clear image. I knew images where made up of CMYK but didn't realise it was so visible when up close so this took me by surprise. I did take a liking to the high quality prints as I preferred the stock, the spot colour clear appearance and techniques such as foiling or spot varnish. I did also learn that some techniques weren't what they seem but really added to the appearance of quality but were relevantly cheap. Things such as textured stock and metallic inks made the prints seem a higher quality. 

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